ELIPHAS LEVI – ALPHONSE LOUIS CONSTANT
Even though our concern is with the
remarkable activities of the ‘Sons of Hermes’ in Paris a century or so ago, it
is worth taking a look at those who inspired them in the previous generation.
And one name that stands before all is that of Eliphas Levi Zahed – usually
shortened to Eliphas Levi – derived from a Hebrew letter transliteration of his
baptismal names and surname Alphonse Louis Constant.
Born to a poor Parisian shoemaker
and his wife in 1810, the only way a brighter than average lad could better his
lot was to be selected for training for the priesthood. Although little could
the parish priest have foreseen that his
protégé would one day become famous for writing books on magic!
Not that Eliphas Levi considered
himself to be anything other than a good Catholic. He voluntarily submitted his
books to the church authorities in Paris and received the somewhat backhanded
assurance that “we neither approve nor disapprove; your books are neither
heretical nor impious, they are simply eccentric.”
But in the end he never became a
priest. Having passed through parish school and junior and senior seminaries,
he recoiled from being ordained after a period teaching young girls their
catechism which led him to doubt if he could live up to the vows of chastity, poverty
and obedience; and chastity in particular!
It was no light matter to take such
an honest and radical step at this stage. Although well schooled in theology
and ecclesiastical history and with the ability to read Latin, Greek and
Hebrew, these accomplishments were
unlikely to earn him a living. But he had natural artistic talent and after a
few months working as a travelling actor began to make money painting
devotional pictures for local churches, a line of work that eventually extended
into portraits of actresses, dancers and society ladies for the journal Les
Belles Dames de Paris (The Beautiful Ladies of Paris).
He also tried his hand at
journalism, although his high ideals and firsthand knowledge of grinding
poverty led him to political pamphleteering, and his work called La Bible de
la Liberté (The Bible of Freedom) earned him eleven months in prison, the
harsh conditions of which were ameliorated by his comrade in arms, the feminist
Flora Tristran (and future grandmother of the artist Gauguin) who sent in food
for him.
He also demonstrated a high
religious idealism in a work on the Virgin Mary La Mère de Dieu – about
which a friend frankly observed: “My friend, your work is deplorable in its
idealism; it is celibacy gone to the head; your excessive purity makes you a
libertine, my friend, and if you knew women a bit better you would not adore
womankind so much! “
Not that he was particularly a
womaniser but after a long bachelorhood, at the age of 36, he embarked on a
romantic runaway marriage with a 16 year old Marie-Néomie Cadot.
Marie-Néomie was a very bright and
talented girl and it was not long before she was making her way writing
articles for newspapers and journals, and posing for a celebrated sculptor.
Some representations of her as Psyche and other classical figures are said to
have decorated the Parisian scene and may still do so. Meanwhile her husband
made a modest income by his art work and restoring antiques and other
decorative ware. They had four children of whom three, including twins, died in
infancy, with the eldest, Marie, expiring at the age of seven. Such were the
conditions of urban life in those days in gay Paree!
However, by the time she was 21
Marie-Néomie was beginning to feel the need to spread her wings and duly left
him, eventually divorcing and marrying a prominent politician. This was a
devastating blow for Alphonse, Almost the death of him in a sense, only to be
reborn as the celebrated teacher of magic –
Eliphas Levi.
He had probably been studying
occultism in some shape or form for some time and already had something of a
reputation for it, attending discussion circles and even taking students in
Kabalistic studies. Indeed he was sufficiently well known to be welcomed to
London in the Spring of 1853, with “letters of introduction to eminent persons
curious of revelations about the supernatural world.”
He was disappointed with most of his
contacts however, finding English gentry well mannered but superficial, and
expecting him to provide spectacular wonders. This was a likely consequence of
the great influx of spirit phenomena from the United States that began to cross
the Atlantic after 1848. Eliphas Levi therefore withdrew to private study of
Kabalah, probably at the British Museum, aiming to return to France in a few
weeks.
Before he did so, however, he was
tempted into a quite bizarre magical experiment – an attempted evocation of the
spirit of the 1st century thaumaturge Apollonius of Tyana. For
English readers sufficiently curious, the circumstances are described in
Chapter XIII of the first part of Transcendental Magic, the main lesson
of which is that reciting medieval or ancient magical formula in a highly
nervous state is not the best way of going about things however impressive
one’s equipment in the way of gilded marble altar tops, magnetised chains,
magic mirrors and tripods of burning incense.
Certainly, he got some results, a numbed arm after threatening a vision
with a magic sword, followed by an immediate physical and nervous collapse. It
is perhaps to his credit – at any rate
in courage and determination – that he had two more goes at it! But with
similar results.
From now on he made it a rule with
students that he was not interested in
teaching techniques of ceremonial magic. A caveat, it should be said, that was
not taken too seriously by his followers a generation later, who launched
themselves whole heartedly into practical work of one kind or another, whilst
taking on board the general theoretical structures he had laid down. In
particular the concept he called the Astral Light – which had been approached
from various angles since Anton Mesmer in the 18th century and
developed through various theories and practical experimentation under
different names, from animal magnetism to odic force, somnambulism or trance,
and associated clairvoyant or healing phenomena, and eventually hypnosis,
‘positive thinking’ and the New Thought movement of the 1920’s. Its last puff
as an occult theory possibly being Israel Regardie’s Art of True Healing,
a 1937 amalgam of New Thought practice with elementary Kabalistic symbolism.
In some respects the Astral Light has been
psychologised into theories of the Collective Unconscious – and is still with
us as a force, not least in the advertising, entertainment and journalistic
industries, wherever the human imagination is manipulated for whatever purpose.
Eliphas Levi was also responsible
for providing an imaginative symbolic structure that could be regarded as
compatible with the Kabalah. That is to say the set of symbolic diagrams
preserved in the Tarot. Whether one regards Tarot as a popular game, an
oracular device or remains of an ancient system of transcendental wisdom, it
can provide the structure for a coherent magical system – or map of the inner
realms of the universe.
One can approach such a system in
various ways, from the trivial and superstitious to the learned and academic.
The latter approach has been fulsomely provided in recent years by A Wicked Pack of Cards – the Origins of
the Occult Tarot by Decker, Depaulis & Dummett and A History of the
Occult Tarot by Ronald Decker and Michael Dummett. First class academics
all, with all the wisdom and all the blind spots of the disciplined academic
mind. Their blind spots a consequence of the fact that they do not realise that
the system works – whatever the illogicalities or irrational assumptions of the
card reader, magical operator or transcendental philosopher.
It is a matter of embracing the
wisdom of the Bellman in Lewis Carroll’s The Hunting of the Snark – “If I
say something three times it’s true!” And is no more difficult or
irrational than quantum mechanics if taken on its own terms. A more hifaluting
way of expressing it would be the evocation of Faith, Hope and Charity.
Another stumbling block to
rationally minded students is the fact that Eliphas Levi’s method of
structuring and interpreting the cards differs from that of the savants behind
the Hermetic Order of the Golden Dawn, as indeed from umpteen other ways of
approaching the oracle.
Levi placed Trump 0 between Trumps
XX and XXI, and as we shall see, the leading lights of the Sons of Hermes opted
to follow him. Whilst in England the Golden Dawners placed Trump 0 at the
beginning of the sequence – adding their own nips and tucks, such as swapping
the places of VIII and XI Justice and Strength, with Aleister Crowley
suggesting likewise for IV and XVII the Emperor and the Star. Latterly British occultists of the calibre of
W.G.Gray (The Talking Tree), R.J.Stewart (The Dream Power Tarot)
and others have come up with their own evocative versions, whilst I have had my
own tilts at windmills in Tarot & Magic and The Magical World of
the Tarot.
Confused? It is simply a matter of
letting the symbols talk to you. And having the confidence that your conversation
is likely to be as good as anyone else’s. One of the first true realisations in
magic is avoiding the sticky bogs of intellect – particularly someone else’s
intellect. Of course you can also go wrong as well! Second true realisation of
magic.
By their very nature, the Tarot
cards are capable of varieties of interpretation. Which is why they are so
useful in divination. That depicting Death, for example, can be regarded not
merely as an end but as a new beginning. A curse or as a blessed release. And
operative at any level of human experience.
When Eliphas Levi was asked the
source of his wisdom by Kenneth Mackenzie, a delegate from the Societas
Rosicruciana in Anglia, he said that after twenty years meditation any truths
he had brought through resulted not from his own wisdom but from the diverse
combinations of the cards themselves.
He did at one point write that a
prisoner in solitary confinement with simply a deck of Tarot cards could have
access to all knowledge. A claim thought patently ridiculous by Michael Dummett
– who should have known better. In
fairness to Michael Dummett and the academic approach, one should quote his
view on p.252 of A Wicked Pack of Cards.
“But although occultists would prefer grounds
for their theories in order to convince others, they can convince themselves
without grounds. An elaborate theory known only to those who take the trouble
to study the occult is satisfying enough in itself, and, being satisfying, is
to be believed; grounds for thinking it to be true are welcome, but
dispensable. The theory can be claimed to be a key to unlock further doors, but
then tacitly ignored when those doors are to be opened.”
But it is the opening of the doors
that is important – whether or not the lock has been picked.
Nothing should be too readily taken
for granted in Levi’s work, one example being the figure of the 15th
Trump, popularly called the Devil, which on close examination is revealed to be
not an evil card but one that contains balanced and equilibrated powers that can
be used for good or ill, and could more accurately be regarded as a symbol for
the Astral Light in its various manifestations. (Although it could be said that
Levi’s heavy mid 19th century style of drawing does not make the
figure a particularly attractive one.) Aleister Crowley was not so far out when
he attributed the card to the force of Pan! A force that is also quite palpable
in another mode of action in Dion Fortune’s Rite of Pan.
We shall return to these matters
when we come to examine The Tarot of the Bohemians, by Papus, the great
populariser of occultism in France, and one of the few French occult books
translated into English. It has its faults, although it is little realised that
at the time of writing the author was only a 24 year old medical student. They
developed talent young in those days – with all the advantages and
disadvantages that this implies.
One or two other points should be
cleared up before leaving the life and times of Eliphas Levi, for he was not an
advocate of some aspects of esoteric theory that nowadays tend to be taken for
granted.
One was that he did not take
spiritualism – or spiritism as it is more usually called in France – at face value. Like his contemporary English
occultist friend Edward Bulwer Lytton he considered most assumed contacts were not with
discarnate spirits but were a species of natural clairvoyance between the
living. From my own experience I would tend to agree – although there may well
be exceptions – if somewhat rarer than wished for or supposed.
The same applies to reincarnation.
Despite a few scattered references to metempsychosis in Pythagorean times, (not
quite the same thing), it was not much
considered before the Theosophical Society popularised elements of Eastern
philosophy in the West after its foundation in 1875. As a good Catholic Eliphas
Levi gave it no credence. Nor does it feature in the classics of western
esotericism prior to the 19th century, nor very largely in
spiritualism apart from the version promulgated by Allan Kardac in The
Spirit Book of 1857. Whilst apart
from a few scattered references, it is not until 1912 that we find Papus
responsible for a book devoted to the doctrine of Reincarnation.
There are fashions, even in the
secret wisdom!