Wednesday, January 26, 2011
Company of the Inner Abbey course
John Porter, who worked within the Gareth Knight group for 20 years and is also a student of Rudolf Steiner's teachings as well as being an ordained priest, is willing to take anyone interested through a course of study based on Experience of the Inner Worlds and other Gareth Knight titles. For details go to www.companyoftheinnerabbey.com
Thursday, January 20, 2011
Experience of the Inner Worlds
Skylight Press has just produced a brand new edition of my Experience of the Inner Worlds, first published in 1975. Produced for the purpose of training my immediate students in the Gareth Knight Group (latterly Avalon Group) it met with some initial opposition but over the years has apparently become regarded a classic textbook in many spiritual and esoteric circles.
But don’t just take my word for it… have a look at some of the comments by readers of earlier editions, reprinted from various review sites such as Amazon and Goodreads:
“This book is required reading for ANYONE looking to bridge the gap between traditional Christianity and the esoteric world of metaphysics. Gareth Knight is one of the true descendants in a line of metaphysicians bringing forth teachings from a highly spiritual source.” (Isis Music, USA)
“If you have any fondness for both the esoteric and Grail Myth, you’ll really like the approach of this book. Each chapter is well written yet concise and concludes with easy but practical exercises which build upon each other effectively.” (Boudicca, Germany)
“Readers are, I’m sure, familiar with the level of hands-on experience Gareth brings to the table. This book provides fresh insights that make it an excellent companion to his Practical Guide to Qabalistic Symbolism, a long time staple on any serious esotericists bookshelf.” (Bokhara, USA)
“More than a systematic study it is a series of pictures, of hints for future pursuits that – just to give an idea of the turns this book takes – include the grail, the Sefer Yetzirah, Dante, Simone Weil, alchemy, sufi mysticism, the cloud of unknowing, renaissance magic.” (QWFF, Italy)
“The abstract analysis and concrete points of concern are very fine-tuned to provide great support to the practical applied exercises rounding-out every well-developed chapterial Theme of Experience of the Inner Worlds.” (Kevin Kiersky, USA)
“Considering its comparative brevity (about 250 pages) and high readability, the book’s scope is vast, treating as it does the Cube of Space, the Hebrew alphabet, the Crusades, the Grail mythos, Jungian psychology, inner planes communication, meditation and ritual.” (Michael K. Kivinen, USA)
“Each chapter of this book concludes with a practical lesson, mostly visualisations. A highlight of this book for me was information given in chapter 5 regarding secret hermetic and alchemic symbols. This is information that I have not found in any other book to date.” (Dragan, Australia)
It is available now direct from Skylight Press or from various Amazon and similar sites. For more details go www.skylightpress.co.uk
But don’t just take my word for it… have a look at some of the comments by readers of earlier editions, reprinted from various review sites such as Amazon and Goodreads:
“This book is required reading for ANYONE looking to bridge the gap between traditional Christianity and the esoteric world of metaphysics. Gareth Knight is one of the true descendants in a line of metaphysicians bringing forth teachings from a highly spiritual source.” (Isis Music, USA)
“If you have any fondness for both the esoteric and Grail Myth, you’ll really like the approach of this book. Each chapter is well written yet concise and concludes with easy but practical exercises which build upon each other effectively.” (Boudicca, Germany)
“Readers are, I’m sure, familiar with the level of hands-on experience Gareth brings to the table. This book provides fresh insights that make it an excellent companion to his Practical Guide to Qabalistic Symbolism, a long time staple on any serious esotericists bookshelf.” (Bokhara, USA)
“More than a systematic study it is a series of pictures, of hints for future pursuits that – just to give an idea of the turns this book takes – include the grail, the Sefer Yetzirah, Dante, Simone Weil, alchemy, sufi mysticism, the cloud of unknowing, renaissance magic.” (QWFF, Italy)
“The abstract analysis and concrete points of concern are very fine-tuned to provide great support to the practical applied exercises rounding-out every well-developed chapterial Theme of Experience of the Inner Worlds.” (Kevin Kiersky, USA)
“Considering its comparative brevity (about 250 pages) and high readability, the book’s scope is vast, treating as it does the Cube of Space, the Hebrew alphabet, the Crusades, the Grail mythos, Jungian psychology, inner planes communication, meditation and ritual.” (Michael K. Kivinen, USA)
“Each chapter of this book concludes with a practical lesson, mostly visualisations. A highlight of this book for me was information given in chapter 5 regarding secret hermetic and alchemic symbols. This is information that I have not found in any other book to date.” (Dragan, Australia)
It is available now direct from Skylight Press or from various Amazon and similar sites. For more details go www.skylightpress.co.uk
Wednesday, December 15, 2010
Yours Very Truly - Gareth Knight
Having been encouraged to gather some notes with a view to writing my autobiography I came upon a number of letters written to a variety of correspondents over the years. Some of them seemed worth publishing as they stood, throwing a vivid light upon what I was up to at the time - illustrating parts of my life as they were lived, and discussing some interesting topics of perennial interest to students of the Western Esoteric Tradition.
There used to be an old saying that “life begins at forty!” I don’t know about that but certainly it is borne out in a certain sense in that the letters only start in my 39th year – anything before that is shrouded in epistolary darkness. However, my forty years since then, from 1969 to 2010, have hardly been devoid of recorded opinion or incident, which you are welcome to share with me.
The letters are to some 70 different people, and vary from learned discourse with academics, through exchange of strange experiences with esoteric colleagues, to providing answers to general enquirers who wrote asking me for information.
The book must be the quickest I have ever written, having taken only a week to select and type up the contents. On the other hand, it must be the one that took me longest to write - in dribs and drabs over forty years. May you find it a worthwhile companion.
Just published at £13.99 by Skylight Press - full details on www.skylightpress.co.uk
There used to be an old saying that “life begins at forty!” I don’t know about that but certainly it is borne out in a certain sense in that the letters only start in my 39th year – anything before that is shrouded in epistolary darkness. However, my forty years since then, from 1969 to 2010, have hardly been devoid of recorded opinion or incident, which you are welcome to share with me.
The letters are to some 70 different people, and vary from learned discourse with academics, through exchange of strange experiences with esoteric colleagues, to providing answers to general enquirers who wrote asking me for information.
The book must be the quickest I have ever written, having taken only a week to select and type up the contents. On the other hand, it must be the one that took me longest to write - in dribs and drabs over forty years. May you find it a worthwhile companion.
Just published at £13.99 by Skylight Press - full details on www.skylightpress.co.uk
Tuesday, December 07, 2010
This Wretched Splendour as magical theatre
I have briefly mentioned the remarkable play This Wretched Splendour in the past, but have now come upon a most perceptive and esoterically intelligent review of it, by Peregrine Wildoak, whose Australian blog "Magic of the Ordinary" is often worth a look. Anyhow - please read on his words of wisdom here:
I do not normally read, much less enjoy, contemporary play scripts. In fact the last memorable one was way back in the 80s, St Bob’s stunning piece of guerrilla ontology, Wilhelm Reich in Hell which left me reeling and shaking at the final page. Rebecca Wilby’s This Wretched Splendour did not have such a dramatic impact, but is equally as impressive and stunning in its own way.
On the surface this play should hold little interest for magical and esoteric folk: a short script set in the trenches of World War I Belgium, it charts the transformation the arrival of a new officer makes to a group of depressed and (most likely) doomed soldiers. However, the play is literally a talisman, a condensation of inner forces, contacts and blessings made available on this plane via the medium of literature. The impetus for the play seems to have come from Rebecca’s connection with “David Carstairs”, one of the most persistent and personable Inner Contacts within the broader Dion Fortune tradition and lineage. Gareth Knight, Alan Richardson and others have written about the Carstairs contact, but in This Wretched Splendour Rebecca Wilby writes with the Carstairs contact. The result is a tangible piece of magic, holding both inner and outer riches.
These days there are any number of ‘magical novels’ and novels by magicians. Most of these are products of the individual writer – not that there’s anything wrong with that. This Wretched Splendour, though obviously the work and product of Rebecca Wilby has the inner planes, via Carstairs, woven into its very fabric. It is thus something more than a play, just as Dion Fortune’s novels are more than novels. Reading This Wretched Splendour enriched and effected me at both deep subconscious levels and ‘higher’ transpersonal levels.
Subconsciously, by reading this play we are connected and opened to the reality of the living history of this ‘war to end all wars’. Though nearly a century ago, the wounds and scars remain and effect us all. It warped and maimed a generation, as well as providing impetus for much change. As esoteric folk, we know the effects such momentous events have within the soul of a nation, of the world. In the words of one of the characters, Conor:
There’s a death here that goes beyond the bodies that writhe and twitch in the mud. There’s a death of the soul of man, and the final fall of Adam.
The final fall of Adam. Through these five words, Rebecca Wilby masterfully sums it up. The sheer scale of horror (with thousands dying before breakfast in some battles) is incomprehensible to our modern minds, accustomed to hearing the names of individual battle deaths. The almost preternatural violence must have seemed apocalyptic and I think helped give rise to stories such as the Angel of Mons, even though the general consensus relegates this as a myth or illusion. Experiencing hell encourages us to invoke heaven. My great-grandfather, who somehow survived the entire war (after enlisting underage in 1914), insisted to his dying day he had seen the angels.
It is only recently that psychology has begun to look at this ‘trans-generational trauma’, trying to make sense of these deep soul wounds. This play takes us into the genesis of that trauma. It also, through the presence and words of an inner contact, contains the seeds of healing and redemption, for us personally and our society.
Transpersonally, by having the presence and words of an inner contact within this play it becomes a well crafted invitation to enter mystery. The inner contact Carstairs was a young British officer who died at Ypres, where this play is set. Soon after his death, he became a kind of mediumistic control for Dion Fortune, often introducing and explaining the teachings of ‘higher’ masters and adding a much needed human and humorous element to the proceedings.
Carstairs, the inner contact, is obviously main character of the play, David Cartwright, a central sun illuminating and fructifying the other characters. Here we see the very clever writing of Rebecca Wilby, as the Cartright character is not only made different to other characters by conventional artistic devices, but by using a few channeled lines from the actual Carstairs contact and weaving his presence into the words, there is a distinct ‘feel’ of the ‘other’. If we are in sympathy with the character, this can then take us into realms not known through ordinary plays.
Towards the end of the play Cartright, like Carstairs, dies. There is not a lot to this scene, no gaudy descriptions or action, something which serves the play very well. The presence of the Carstairs contact in a play describing his own death is not only ironic but an very powerful occult tool. The play is then the material basis for the mystery of the broadness of death, the continued existence of the soul in one form or another.
Added to this, there is a richness of subtle esoteric symbolism and action throughout. This is not always clearly delineated and will play more on the subconscious of the reader than on the conscious. Again, I compare it to Dion Fortune writing about how her writing of the Sea Priestess was designed to mimic the motion of the waves. There is much within the structure and form of This Wretched Splendour that will illuminate the open reader. Of course, there are occasional overt moments of spiritual potency drawing on esoteric lore, such as this call to the battlefield dead:
Let the dead arise! Out of the shell craters, out of the mud, out of the filthy slime, let the dead arise! Out of the broken trees, out of the barbed wire entanglements, out of the wretched trenches, let the dead arise! Out of the burning earth, let the dead arise! Let the undead arise! Rise up now, see the light in the West. Kick the fifth of battle from your heels and rise up. Follow the western splendour. Go! Go to the real Western Front!
Rebecca Wilby has done a wonderful job in the creation of this play. It deserves wide readership by the esoteric community. Do not be put off by the form, a play script, the subject matter or its ‘fictional’ content: this play has much to offer the esoteric and magical student. When we read it we are sharing in a highly successful magical action – the grounding of inner knowledge and redemption. It is thus a gift to us all.
This Wretched Splendour can be ordered from Skylight Press, www.skylightpress.co.uk.
I do not normally read, much less enjoy, contemporary play scripts. In fact the last memorable one was way back in the 80s, St Bob’s stunning piece of guerrilla ontology, Wilhelm Reich in Hell which left me reeling and shaking at the final page. Rebecca Wilby’s This Wretched Splendour did not have such a dramatic impact, but is equally as impressive and stunning in its own way.
On the surface this play should hold little interest for magical and esoteric folk: a short script set in the trenches of World War I Belgium, it charts the transformation the arrival of a new officer makes to a group of depressed and (most likely) doomed soldiers. However, the play is literally a talisman, a condensation of inner forces, contacts and blessings made available on this plane via the medium of literature. The impetus for the play seems to have come from Rebecca’s connection with “David Carstairs”, one of the most persistent and personable Inner Contacts within the broader Dion Fortune tradition and lineage. Gareth Knight, Alan Richardson and others have written about the Carstairs contact, but in This Wretched Splendour Rebecca Wilby writes with the Carstairs contact. The result is a tangible piece of magic, holding both inner and outer riches.
These days there are any number of ‘magical novels’ and novels by magicians. Most of these are products of the individual writer – not that there’s anything wrong with that. This Wretched Splendour, though obviously the work and product of Rebecca Wilby has the inner planes, via Carstairs, woven into its very fabric. It is thus something more than a play, just as Dion Fortune’s novels are more than novels. Reading This Wretched Splendour enriched and effected me at both deep subconscious levels and ‘higher’ transpersonal levels.
Subconsciously, by reading this play we are connected and opened to the reality of the living history of this ‘war to end all wars’. Though nearly a century ago, the wounds and scars remain and effect us all. It warped and maimed a generation, as well as providing impetus for much change. As esoteric folk, we know the effects such momentous events have within the soul of a nation, of the world. In the words of one of the characters, Conor:
There’s a death here that goes beyond the bodies that writhe and twitch in the mud. There’s a death of the soul of man, and the final fall of Adam.
The final fall of Adam. Through these five words, Rebecca Wilby masterfully sums it up. The sheer scale of horror (with thousands dying before breakfast in some battles) is incomprehensible to our modern minds, accustomed to hearing the names of individual battle deaths. The almost preternatural violence must have seemed apocalyptic and I think helped give rise to stories such as the Angel of Mons, even though the general consensus relegates this as a myth or illusion. Experiencing hell encourages us to invoke heaven. My great-grandfather, who somehow survived the entire war (after enlisting underage in 1914), insisted to his dying day he had seen the angels.
It is only recently that psychology has begun to look at this ‘trans-generational trauma’, trying to make sense of these deep soul wounds. This play takes us into the genesis of that trauma. It also, through the presence and words of an inner contact, contains the seeds of healing and redemption, for us personally and our society.
Transpersonally, by having the presence and words of an inner contact within this play it becomes a well crafted invitation to enter mystery. The inner contact Carstairs was a young British officer who died at Ypres, where this play is set. Soon after his death, he became a kind of mediumistic control for Dion Fortune, often introducing and explaining the teachings of ‘higher’ masters and adding a much needed human and humorous element to the proceedings.
Carstairs, the inner contact, is obviously main character of the play, David Cartwright, a central sun illuminating and fructifying the other characters. Here we see the very clever writing of Rebecca Wilby, as the Cartright character is not only made different to other characters by conventional artistic devices, but by using a few channeled lines from the actual Carstairs contact and weaving his presence into the words, there is a distinct ‘feel’ of the ‘other’. If we are in sympathy with the character, this can then take us into realms not known through ordinary plays.
Towards the end of the play Cartright, like Carstairs, dies. There is not a lot to this scene, no gaudy descriptions or action, something which serves the play very well. The presence of the Carstairs contact in a play describing his own death is not only ironic but an very powerful occult tool. The play is then the material basis for the mystery of the broadness of death, the continued existence of the soul in one form or another.
Added to this, there is a richness of subtle esoteric symbolism and action throughout. This is not always clearly delineated and will play more on the subconscious of the reader than on the conscious. Again, I compare it to Dion Fortune writing about how her writing of the Sea Priestess was designed to mimic the motion of the waves. There is much within the structure and form of This Wretched Splendour that will illuminate the open reader. Of course, there are occasional overt moments of spiritual potency drawing on esoteric lore, such as this call to the battlefield dead:
Let the dead arise! Out of the shell craters, out of the mud, out of the filthy slime, let the dead arise! Out of the broken trees, out of the barbed wire entanglements, out of the wretched trenches, let the dead arise! Out of the burning earth, let the dead arise! Let the undead arise! Rise up now, see the light in the West. Kick the fifth of battle from your heels and rise up. Follow the western splendour. Go! Go to the real Western Front!
Rebecca Wilby has done a wonderful job in the creation of this play. It deserves wide readership by the esoteric community. Do not be put off by the form, a play script, the subject matter or its ‘fictional’ content: this play has much to offer the esoteric and magical student. When we read it we are sharing in a highly successful magical action – the grounding of inner knowledge and redemption. It is thus a gift to us all.
This Wretched Splendour can be ordered from Skylight Press, www.skylightpress.co.uk.
Wednesday, November 24, 2010
Red Tree - White Tree by Wendy Berg
I began to write this book after I had been handed a glass of red wine and a voice in my head said: “If you drink that, you’ll die.”
Such is the opening line of Wendy Berg’s seminal new book on the Faery tradition in the Arthurian and Grail legends: the beginning of a trail which led her to a complete re-evaluation of the powers behind the fellowship of the Round Table, and which, as it unfolds, throws a whole new perspective on some of Britain’s oldest and most enduring legends.
Red Tree, White Tree is no ordinary Arthurian or Fey commentary but rather a completely comprehensive and enchanting spiralling-back through history to its first annals and beyond. Wendy, co-author of Polarity Magic: The Secret History of Western Religion with Mike Harris, works admirably through what have been formerly disparate texts to find new connections and syntheses. Her skilled exegesis includes a webbing of biblical texts (both canonical and apocryphal), the Qabalah, the Mabinogion, the bardic traditions of Taliesin, Chrétien de Troyes, Robert de Boron, Geoffrey of Monmouth, Thomas Malory, J.R.R. Tolkien, and others, to make some extraordinary discoveries. This book will appeal to historians, literary scholars, mythological schemers, grail seekers, and esoteric practitioners alike.
In my view this is the most important and challenging book on Arthurian and Grail tradition for many a long year.
Red Tree, White Tree, priced £12.99, is available from Amazon and all the usual retailers, and can also be ordered direct from Skylight Press.
Such is the opening line of Wendy Berg’s seminal new book on the Faery tradition in the Arthurian and Grail legends: the beginning of a trail which led her to a complete re-evaluation of the powers behind the fellowship of the Round Table, and which, as it unfolds, throws a whole new perspective on some of Britain’s oldest and most enduring legends.
Red Tree, White Tree is no ordinary Arthurian or Fey commentary but rather a completely comprehensive and enchanting spiralling-back through history to its first annals and beyond. Wendy, co-author of Polarity Magic: The Secret History of Western Religion with Mike Harris, works admirably through what have been formerly disparate texts to find new connections and syntheses. Her skilled exegesis includes a webbing of biblical texts (both canonical and apocryphal), the Qabalah, the Mabinogion, the bardic traditions of Taliesin, Chrétien de Troyes, Robert de Boron, Geoffrey of Monmouth, Thomas Malory, J.R.R. Tolkien, and others, to make some extraordinary discoveries. This book will appeal to historians, literary scholars, mythological schemers, grail seekers, and esoteric practitioners alike.
In my view this is the most important and challenging book on Arthurian and Grail tradition for many a long year.
Red Tree, White Tree, priced £12.99, is available from Amazon and all the usual retailers, and can also be ordered direct from Skylight Press.
Saturday, November 13, 2010
In Memoriam - and then some!
If Rebecca Wilby's play This Wretched Splendour was reckoned to have “knocked into a cocked hat” the so far established canon for first world war plays then her novel In Different Skies must go close to doing much the same demolition job in the literary sphere. As one who has seen both Cheltenham and London productions of the play, trod the Somme and Ypres battlefields along with her, and now been one of the first to read her remarkable novel – appropriately published on Armistice Day – I can vouch that it is with more than a father’s pride that I recommend them both as compelling, funny, moving, depictions of what war is all about at the sharp end. There is a fascinating esoteric theme running through as well. All of which goes to make it particularly relevant to what is going on in various places in the world today.
For more details or to make a purchase go to http://www.skylightpress.co.uk/ now!
For more details or to make a purchase go to http://www.skylightpress.co.uk/ now!
Saturday, October 09, 2010
Melusine of Lusignan
Ever heard of Melusine? She deserves to be better known. A major figure in medieval French lore and legend who is little known in the English speaking world apart from an essay by the Rev. Sabine Baring-Gould as one of his "Curious Myths of the Middle Ages" published way back in 1894, and where he seems to take her for a mermaid, depicting her with a fish's rather than a serpent's tail.
She is however an altogether different creature. Indeed she has given her name to the type of faery who enters the human world to mate with a human being, bringing great good fortune until he makes the mistake of distrusting her.
I have taken the trouble to visit the little town of Lusignan, deep in the forests of Poitou, which she is said to have founded along with the local ruling family. I discovered her presence to be still discernible. So much so that I could not rest until I had rendered her tale into English, to bring her and her kind into wider recognition.
A fascinating creature in all senses of the word, and with an interesting family - including her mother Pressine (a Scottish faery who married the King of Albany - the old name for Scotland) and her sisters Melior and Palastine. One the supervisor of the test of the hawk, when if you could watch over her hawk without sleeping for the three days leading up to Midsummer day you could have what you liked as a prize, apart from the faery herself. The other the keeper of a great treasure, if you had the wit and valour to get past the monsters who guarded her. To say nothing of Melusine's ten sons including Geoffrey Great-Tooth, with the temperament of a wild boar and a great giant killer.
Just published by R J Stewart books as "Melusine of Lusignan and the Cult of the Faery Woman" - hurry and discover more of this powerful initiatory legend emerging from the transformative faery tradition of ancient Europe.
She is however an altogether different creature. Indeed she has given her name to the type of faery who enters the human world to mate with a human being, bringing great good fortune until he makes the mistake of distrusting her.
I have taken the trouble to visit the little town of Lusignan, deep in the forests of Poitou, which she is said to have founded along with the local ruling family. I discovered her presence to be still discernible. So much so that I could not rest until I had rendered her tale into English, to bring her and her kind into wider recognition.
A fascinating creature in all senses of the word, and with an interesting family - including her mother Pressine (a Scottish faery who married the King of Albany - the old name for Scotland) and her sisters Melior and Palastine. One the supervisor of the test of the hawk, when if you could watch over her hawk without sleeping for the three days leading up to Midsummer day you could have what you liked as a prize, apart from the faery herself. The other the keeper of a great treasure, if you had the wit and valour to get past the monsters who guarded her. To say nothing of Melusine's ten sons including Geoffrey Great-Tooth, with the temperament of a wild boar and a great giant killer.
Just published by R J Stewart books as "Melusine of Lusignan and the Cult of the Faery Woman" - hurry and discover more of this powerful initiatory legend emerging from the transformative faery tradition of ancient Europe.
Tuesday, September 28, 2010
An Anthology of Occult Wisdom Vol.3
Just published by Datura Press www.daturapress.com or daturapress@gmail.com is the third volume of Anthologies of Occult Wisdom, which on this occasion features the work of Dolores Ashcroft-Nowicki, Ernest Butler and Gareth Knight. As I am a major contributor to this volume I will forebear to review my own work but pass on an independent review by the Inner Light Journal.
"As we head into Autumn I offer you another absolute cracker! Many of our readers will know or have known one or more of these greats of the magical world (two of whom are still alive at the time of going to press!). Friends, teachers, inspirations all.
"This is the first of the SOL archives that I have seen, and very impressive it is too, what a wonderful idea it has been, to transcribe from fading Gestetnered copies and barely-audible tape recordings the amassed wisdom of forty years or more. What a huge job it must have been! We may have read all the books by these well-loved authors, but many of us have not been able to attend as many lectures and conferences as we would like, so it has been a pleasure both to revisit the familiar and to discover the unfamiliar, new facets of, dare I say, insight into the personalities of these Elder Statesmen? ('not so much of the Elder,' I hear them grumble). It is because much of this material was originally spoken rather than written, that the 'voices' of the authors shine through, it is as though we hear them speak. Marvellous!'
"I love the outdated and un-pc comments from long ago, which are apologised for in the introductions! Please don't ever edit them out! They show how much things have changed over the years and also make me chuckle. There is hitherto unpublished material here too, including a particularly interesting piece by Gareth Knight, his 'Reflections on the Mirror of Venus'. So many thanks to all who are involved in undertaking this sterling work of archiving for future generations. Power to your printing arm!"
Contents List:
Social Work and the Unseen; The Automatisms of Mediumship;Trance; by W E Butler.
The Seven Jewels of the Heart; The Solo Practitioner in Magic; The Practice of Group Magic; by Dolores Ashcroft-Nowicki.
Dion Fortune in Bristol & Somerset; The Magical Life; Avalon of the Heart; Interview with 'Magickal Light'; The Faery Tradition in Arthurian Legend; Dion Fortune & the Masonic Tradition; Reflections on the Mirror of Venus; DF lives! - OK? ; by Gareth Knight.
"As we head into Autumn I offer you another absolute cracker! Many of our readers will know or have known one or more of these greats of the magical world (two of whom are still alive at the time of going to press!). Friends, teachers, inspirations all.
"This is the first of the SOL archives that I have seen, and very impressive it is too, what a wonderful idea it has been, to transcribe from fading Gestetnered copies and barely-audible tape recordings the amassed wisdom of forty years or more. What a huge job it must have been! We may have read all the books by these well-loved authors, but many of us have not been able to attend as many lectures and conferences as we would like, so it has been a pleasure both to revisit the familiar and to discover the unfamiliar, new facets of, dare I say, insight into the personalities of these Elder Statesmen? ('not so much of the Elder,' I hear them grumble). It is because much of this material was originally spoken rather than written, that the 'voices' of the authors shine through, it is as though we hear them speak. Marvellous!'
"I love the outdated and un-pc comments from long ago, which are apologised for in the introductions! Please don't ever edit them out! They show how much things have changed over the years and also make me chuckle. There is hitherto unpublished material here too, including a particularly interesting piece by Gareth Knight, his 'Reflections on the Mirror of Venus'. So many thanks to all who are involved in undertaking this sterling work of archiving for future generations. Power to your printing arm!"
Contents List:
Social Work and the Unseen; The Automatisms of Mediumship;Trance; by W E Butler.
The Seven Jewels of the Heart; The Solo Practitioner in Magic; The Practice of Group Magic; by Dolores Ashcroft-Nowicki.
Dion Fortune in Bristol & Somerset; The Magical Life; Avalon of the Heart; Interview with 'Magickal Light'; The Faery Tradition in Arthurian Legend; Dion Fortune & the Masonic Tradition; Reflections on the Mirror of Venus; DF lives! - OK? ; by Gareth Knight.
Saturday, September 04, 2010
Through the Skylight
Great news! Well known esoteric author Alan Richardson has joined the list of Skylight Press writers with a brilliant novella "On Winsley Hill". You can keep up with breaking news of Skylight Press by going to http://skylightpress.wordpress.com/
You can also enter your e-mail address if you would like to receive notification of new posts.
You can also enter your e-mail address if you would like to receive notification of new posts.
Monday, August 23, 2010
To the Heart of the Rainbow
In the esoteric world things are not always what they seem. And sometimes for very good reason. One of which is the tradition of providing practical instruction in some other guise – sometimes in the form of fiction. Here the secret is to stimulate the imagination to go into areas that it otherwise might not think existed. It is a technique that has been followed by many esoteric teachers and not least my old mentor Dion Fortune.
Here is my own contribution to the genre. How to experience the power of the Paths of the Tree of Life without having to mug up on all the theory! It is simply a matter of lowering the barriers of disbelief and intellectualisation and being borne along on the flow of story. It follows that what may seem to be a children’s story is a highly appropriate vehicle – for you need to have the willing acceptance of the eyes and ears of a child to register certain things – “of such is the kingdom of heaven”. So identify with one of the children, (or even the dog!), and you never know what might happen!
This is now published as To the Heart of the Rainbow (along with evocative illustration by Libby Travassos Valdez) by Skylight Press. It will shortly be available through all the usual trade channels but in the meantime you can get your copy now, hot off the press, straight from the printers. Simply go to http://www.lulu.com/product/paperback/to-the-heart-of-the-rainbow/12312714
Price is £12.79 or $18.43 or you can get it cheaper still by file download.
You can find further details from Skylight Press, who will shortly be publishing various out of print titles by me, including The Magical World of the Inklings, A History of White Magic, and Experience of the Inner Worlds. Whilst on the site, take a look at This Wretched Splendour by Rebecca Wilby. Reading play scripts is not everybody’s cup of tea, but this may be somewhat different. Remember what I said about things not always being what they seem? This also is packed with esoteric clout.
It is in reality an autobiographical snapshot of the last days of one of Dion Fortune’s early contacts, a master by the name of David Carstairs. It is said that old soldiers never die, they only fade away, but this one has positively refused to fade away over the past ninety odd years. He features as a respondent in The Abbey Papers that came to me when I was working on some DF letters in 1993 and later came strongly through to a student as recorded in An Introduction to Ritual Magic that I co-authored with the late Dion Fortune.
Not content with that, he followed up by inspiring the writing of this play, and even more astonishingly seemed to pull the strings to get produced within weeks, at the Playhouse Theatre, Cheltenham and at the Grace Theatre, London. If to read it can be a moving experience, to see it performed can be mind blowing and inspiring, witness the critical acclaim it received at the time. For more details of which go to the Skylight Press web site http://www.skylightpress.co.uk
Here is my own contribution to the genre. How to experience the power of the Paths of the Tree of Life without having to mug up on all the theory! It is simply a matter of lowering the barriers of disbelief and intellectualisation and being borne along on the flow of story. It follows that what may seem to be a children’s story is a highly appropriate vehicle – for you need to have the willing acceptance of the eyes and ears of a child to register certain things – “of such is the kingdom of heaven”. So identify with one of the children, (or even the dog!), and you never know what might happen!
This is now published as To the Heart of the Rainbow (along with evocative illustration by Libby Travassos Valdez) by Skylight Press. It will shortly be available through all the usual trade channels but in the meantime you can get your copy now, hot off the press, straight from the printers. Simply go to http://www.lulu.com/product/paperback/to-the-heart-of-the-rainbow/12312714
Price is £12.79 or $18.43 or you can get it cheaper still by file download.
You can find further details from Skylight Press, who will shortly be publishing various out of print titles by me, including The Magical World of the Inklings, A History of White Magic, and Experience of the Inner Worlds. Whilst on the site, take a look at This Wretched Splendour by Rebecca Wilby. Reading play scripts is not everybody’s cup of tea, but this may be somewhat different. Remember what I said about things not always being what they seem? This also is packed with esoteric clout.
It is in reality an autobiographical snapshot of the last days of one of Dion Fortune’s early contacts, a master by the name of David Carstairs. It is said that old soldiers never die, they only fade away, but this one has positively refused to fade away over the past ninety odd years. He features as a respondent in The Abbey Papers that came to me when I was working on some DF letters in 1993 and later came strongly through to a student as recorded in An Introduction to Ritual Magic that I co-authored with the late Dion Fortune.
Not content with that, he followed up by inspiring the writing of this play, and even more astonishingly seemed to pull the strings to get produced within weeks, at the Playhouse Theatre, Cheltenham and at the Grace Theatre, London. If to read it can be a moving experience, to see it performed can be mind blowing and inspiring, witness the critical acclaim it received at the time. For more details of which go to the Skylight Press web site http://www.skylightpress.co.uk
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